The Droptines’ Drought Flower blends Americana darkness with simple rock grooves, banjo, and pedal steel. Led by Conner Arthur’s gravel-worn voice, the Austin band’s second full-length album finds its strength in songs about old habits, hard-earned maturity, and the kind of damage that does not stay buried. Continue reading The Droptines – Drought Flower (Review)
Drayton Farley’s A Heavy Duty Heart feels like the sound of an artist growing into a fuller version of himself. Still capable of pulling the sad-country string, Farley leans more than ever into songs about love, family, and the life waiting back home when the road ends. Continue reading Drayton Farley – A Heavy Duty Heart (Review)
Colton Bowlin’s Grandpa’s Mill leans into family, place, and the stories that tie them together. From nostalgic hometown reflections to a pair of early murder ballads, this sophomore release feels like a step forward—and one that should climb higher on my year-end list. Continue reading Colton Bowlin – Grandpa’s Mill (Album Review)
Johnny Blue Skies refuses to make a “normal” album, and Mutiny After Midnight might be his most unhinged, genre-jumping effort yet. From political gut punches to fu(n)ky, tongue-in-cheek love songs, this early Album of the Year contender proves that even with hoops to listen, the music is worth it. Continue reading Johnny Blue Skies – Mutiny After Midnight (Review)
I Am Weez 